![]() ![]() And if you get dye on your skin, remove it with rubbing alcohol followed by soap and water-but wait until after you’ve washed out the dye, of course. Leave it on for the amount of time the package says and no more (most beard dyes are meant to be “buildable,” which means you can always add more if you want more color). Whichever you choose, the most important thing you can do is follow the directions exactly. ![]() Some come pre-mixed, while others require you to mix yourself (and some, for the commitment-phobic, are temporary). The good news is that home beard dyes are generally designed to be easy to use. But facial hair also tends to be more coarse than the hair on your head, which is why beard dyes are powerful enough to penetrate that hair, but completely wreck it. ![]() Beard dyes, on the other hand, are thinner and semi-permanent, which means they can camouflage greys without turning your beard one uniform color (which ends up looking fake). Second, box dyes for your head are very opaque in order to better cover a larger area. ![]() Box dyes that are formulated for your head could be too harsh and irritate the facial skin underneath your whiskers. First, the skin on your face is more sensitive than the skin on your scalp. The cardinal rule of home beard dyeing is to always use dye that is specifically designed for your beard. Monochromatic and neutrals-only combinations will also look dull on you.Just because you’ve decided to dye your beard doesn’t mean you should run out and grab any old box of hair dye. Instead, always pair a neutral with an accent colour. So pairing colours that sit opposite each other on the colour wheel, such as yellow and purple, may look overpowering on you. An all-light look, though, will not be flattering since your natural colouring is dark.Īnother thing to bear in mind is that even though your natural colour contrast is high, it is not as extreme as that of a Bright Winter. But your best combinations will have high contrast. You can also combine a darker neutral with a brighter accent colour, such as dark green with bright pink.Īn all-dark look also works for you. This combination has not only value contrast (light and dark) but also hue contrast (grey and purple). To achieve this, pair a light neutral in one hue with a different dark accent hue, such as a light grey with a dark purple. Value contrast combined with hue contrast is especially flattering on you. Therefore, the best colour combinations for your outfits are similarly contrasting. Those are the combinations that repeat the contrast level naturally present in your appearance.ĭark Winter's natural appearance is highly contrasting. But certain combinations will look much better than others. Technically, you can combine any of the colours on the Dark Winter palette with each other. Whereas if you lean more towards True Winter, select the darker colours on the True Winter palette – such as Acai, Aventurine and Bellweather Blue. If you lean more towards Dark Autumn, opt for the cooler colours on the Dark Autumn palette – such as Plum Caspia, Blue Depths and Corsair. Depending on where you fall on the Dark Winter spectrum, you can borrow some colours from your sister palettes since they are close enough to the Dark Winter colour palette. Autumn’s effect on Dark Winter is additional warmth and some softness.Ĭompared to the third Winter season Bright Winter, the colours share the same neutral-cool hue but are darker and softer.Īs sister palettes, Dark Autumn and True Winter both share Dark Winter’s aspects of dark and cool, respectively. And the light colours of Dark Winter are lighter than those of Dark Autumn. Consequently, the colours are softer, darker and warmer than those of True Winter.Ĭompared to Dark Autumn, the colours are similarly dark but cooler and brighter. It falls at the Autumn end of the Winter palette. However, they are dark rather than very bright.ĭark Winter sits between Dark Autumn and True Winter on the seasonal flow chart. Typical for Winter colours, the palette is slightly higher in chroma, meaning the colours are somewhat saturated and bright. This mixture in value is required to achieve the high contrast a Dark Winter needs. And while many of the colours are very light (white and the icy pastels), there are many more dark ones. In line with this season’s primary colour aspect, the overall palette is dark. You will also not find many shades of yellow-based colours but instead more shades of blue and grey, which are naturally cool. So even if you choose yellow (which is the warmest colour of all), you will find only cooler shades that have a tint of blue. This means they contain more blue than yellow. The colours lean towards the cool end of the scale but are not extremely cool. ![]()
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